Wednesday, 29 October 2014

Delhi’s Batgirl - a review of Under Delhi by Sorabh Pant





Delhi has long been called the ‘rape capital’ on India and statistically speaking anyway, perhaps that moniker is not too far wrong. For years, the people of Delhi have yearned for a Batman-type vigilante, and Sorabh Pant’s book puts one on offer.

The narrator and protagonist of Under Delhi, Tanya Bisht, is that vigilante. Traumatised by an incident in her past, she vows to eradicate perpetrators of crime against women, or rather, make them pay. And like Batman, Tanya would never kill.





Outwardly, Tanya is a typical Delhi girl. She loves to drink, she loves to roam around the city and (this is key!) she loves sex. Her attachment to her boyfriend is a purely sexual one – she feels no emotional affection for him. In an already enlightened book, this is perhaps the most enlightened statement of them all. Yes, girls have sex. Yes, girls like sex. No, having sex doesn’t mean that they are in love with that person.

Come night, however, and she jumps into her white Omni van, the favoured vehicle of sexual predators worldwide. She transforms into a destructor of evil, a yuppie Durga if you may, roaming the city in search for those perpetrators who, due to loopholes in the legal system, slipped through the cracks. She catches them, beats them up, takes them to India Gate (where most candle-light vigils take place in the city) and then dumps hot candle wax on their forehead, leaving the villain bound and tied. Oh, before she takes off, Tanya, in true Dexter Morgan fashion (her favourite TV show), also snipes off the baddie’s little finger.



Under Delhi will at times leave you cracking up. The accurate description of Delhites is excellent – people in Ambience Mall who always make you feel underdressed; the pretentious lot who work in Gurgaon; the superrich who blow more cash on one meal than the average per-capita income of the country; the average, slightly corrupt cop and so on and on.

Pant also paints the beauty of the city into his book – the wide, clean roads; the lush and green Lodhi Gardens; the winters in the city. He also manages to put across the devil-may-care attitude that the city has – except for a (perhaps vocal) minority, nobody gives a damn if you drink, smoke, are sexually active or basically do anything that the morality police frowns upon.



The book shows how the typical urban woman is not the innocent belle of the way Bollywood likes to portray her. She is fun-loving, likes to party, likes to get wasted, can smoke, can sleep with whoever she wants and is still an ethical and principled person. And it’s just not just young women – in the book, Tanya discovers that her mother is in a live-in relationship.

However, in my opinion the book lost its plot along the way. Somewhere along the way, around the last quarter of the book, the threads of the story start falling apart and the book becomes a far cry from the tight narrative style of the start of the tale.

I feel that the book ends on a slightly anti-climatic note and her eventual taking down of the great big villain in the book could have been better handled.




But the book is a lot of fun, and perhaps will be even more interesting to read if you are a Delhite – there are certain subtle gags thrown in that only somebody from the city would get. My only complaint is that such a book was written by a guy!

--- Kartikeya